INSIGHTS

Generate yourself a brand backbone.

Because I’m a Millennial Masochist (™), I spend more time than I’d like to admit rage scrolling through LinkedIn’s AI slop hellscape. Every post has the same structure and fake authority. If I have to read another “Stop doing X, do Y instead” post, I shall scream. For me, the real risk that brands face with AI is indistinguishability, not misinformation - the lazy content shortcut hasn’t led us to the promised land of thought leadership. It’s a soulless landfill.

I don’t believe that AI has made everyone dishonest; it’s just made it too easy for weak brand systems to produce infinite content that is technically fine and commercially useless. It’s the Industrial Revolution for blandness.

Weirdly, this isn’t really an AI problem.

Tara Allison put it well in The Drum recently, “B2B did not lose its voice to AI. It gave it away long before.” The approval chain and C-suite-safe copy did this to us. The fear of having an opinion and an obsession with looking ✨professional✨ was already an issue with brand voice, AI just made the whole thing impossible to ignore.

It’s easy to point fingers at the new girl, but I don’t think AI interrupted a golden age of witty, memorable messaging. I do remember years of brands clipping their own wings in the name of consensus and “best practice”. Half the category sounded like it had been written by an anxious middle manager, and, as an anxious middle manager, I’m not impressed. The slop machine was trained on our own beige nonsense, and nobody thought to install a kill switch.
Thanks to some data from Ahrefs, we know where this is heading - they analysed 900,000 newly detected English-language web pages and found that 74.2% contained AI-generated content. 10Fold’s 2025 content report found that 91% of marketers are increasing content output and nearly half are producing three to five times more than they were in 2024. Is it any wonder that everything is starting to sound the same with more content and pressure, but less time and budget?

State of Brand pointed to the same problem, noting Barron’s reporting that 73 corporate documents used the same “not just X, it’s Y” construction in a single quarter. That’s what flattening looks like in the wild: a slow, depressing convergence of a handful of techniques until we’re all extras in Branding John Malkovich.

I promise this isn’t a creative tantrum.

While people tend to think the more exciting personalities are consumer-facing, this is just as much of a problem for B2B brands. If you follow the Ehrenberg-Bass 95:5 rule (which, obviously, why wouldn’t you with a name like that?), only 5% of your potential buyers are in-market at any given time. The other 95% are not buying yet, which means most of your marketing isn’t there to close a deal today. You want to build recall, familiarity and preference for tomorrow. Your generic comms go from a tone-of-voice issue to a future revenue issue - something Gary in Finance will probably listen to.
“More content” on its own is such a dumb goal, as it just creates more admin without the payoff. More blog posts written for machines, published by machines, scraped by machines and summarised back to humans by machines. A strategic closed loop that does nothing but fill out your content calendar. It’s like watching WALL·E and idolising the amorphous human lumps.

Joe Public is getting savvy to AI filler, and buyers can feel when the content lacks conviction. A 2024 study in the Journal of Retailing and Consumer Services found that when brands use generative AI to replace humans on social media, perceived brand authenticity drops way down. It also shows that the freefall slows when AI is used to assist humans rather than replace them entirely. NIQ’s research on AI-generated ads found that consumers see them as more annoying than traditional ads. Annoying isn’t a very positive metric.

In the context of brand, and ignoring everything else that is going on in the world right now, the most immediate danger posed by AI is your business becoming professionally forgettable.

I’m anti-bollocks, not anti-AI.

I’ve given several talks on AI x Creativity and freely admit to using it daily. It’s useful as a research grunt, in spotting large dataset patterns, and for freeing me up to do the more conceptual work. Muck Rack’s 2026 research found industry pros overwhelmingly say that AI makes their work faster and better, using it heavily in editing, research, and planning.

A good tool should save you time, but if you saw a builder using a hammer for every task, you would not think, “What an efficient builder.” You would think, “This person is going to fuck up my house.” Using AI for everything from defining your tone of voice to generating your LinkedIn post to marking its own homework just removes humans from the only parts of the process that actually matter. It’s abdication wearing a moustache and pretending to be innovation.

Do this.

You have to do the boring bit before you can do the fun bit. Spend the time and cash doing the brand work first (deep, insightful brand development), and you will make more money in the long run. Ask yourself the difficult questions. What hill would your brand die on? What would it say if its parents weren’t listening? How did it feel about me swearing just now? I don’t want you to form a prompt; I want you to form an opinion.

As much as I would love to work on more punky products, a distinctive brand does not need to be shocking for the sake of it. It just needs to feel like a person, or at the very least like a company run by people. You should be able to remove the logo from a headline and still have a decent chance of knowing who said it.

If you can’t do that with your own comms, then you don’t have a brand voice, and you need to have a word with your agency. And while you’re at it, if they never push back on a brief, then ditch them entirely. A decent creative partner should challenge you and always ask why - you want “Yes, and” not a Yes Man.

"This is my moment"

Martine McCutcheon,

1999

AI as a thing does not kill creative work, because nothing ever has. Art didn’t die when photography arrived; it just had to stop competing and become something stranger. Now that we have a machine that can produce average en masse, average has no value. I see that as good news for brands with a backbone.

Use the tool, but make sure you don’t outsource your judgement to it. In two years (two months?), when your feed is full of competent, forgettable sludge, the brands that still sound like themselves will have a ridiculous advantage. 

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